If she was shot from a distance, then there may have been a possibility of the police shooting her? But shhoting her with a contact shot then I am with you on this one.
Hi Grahame,
ask yourself why, if police took that photograph of the mark around the non fatal bullet wound on Sheila's neck, which is a mark that bears almost exactly the same dimensions as the end of a silencer, around the bullet hole, on 7th August 1985, with an absence of any similar mark or bruising around the second fatal bullet entry wound under the chin, why at no stage did police start looking for a silencer used in the shootings? Unless of course, you accept that police did take control of a silencer (SBJ/1) that same day, in keeping with DS 'Stan' Jones, seizing it at the scene that same date, along with three other exhibits, SBJ/2, SBJ/3 and SBJ/4...
You might also wish to take into account the fact that 'Ron' Cook had taken two paint samples (RC/1 and RC/2) at the scene on 8th August 1985, which he handed to DS Davidson at the scene that same date, detail which Cook denies ever took place, despite DS Davidson telling COLP during his 1992 police interviews that he did. Interestingly enough, Davidson told COLP that Cook had taken those paint samples on 8th August 1985, because of same paint found on the end of a guns barrel, a guns barrel found downstairs at the scene, not upstairs...
In the very same interview, Davidson confirmed that paint had not been found on the end of a silencer by that stage (8th August 1985), but had been found on the end of a guns barrel (still officially unidentified). You might like to consider that any marks present on the aga surround by that stage had been made by the end of this mysterious guns barrel - although from information I have been given suggests that paint samples, RC/1 and RC/2, were taken by Cook from the door, and door surround of the internal kitchen door which separates the back entrance hall and the main kitchen, marks found there were suspected of having been made at the time PS Woodcock was trying to enter the main kitchen and his weapon came into contact with the door, the door frame, and the wall inside the kitchen itself...
Then, you might wish to consider why during the trial, the prosecution did not seek to rely upon the visible mark upon Sheila's neck which had the same dimensions as the cap end of a silencer, to support their case that a silencer had been fitted to the ansulz rifles barrell at the time she was initially shot, yet absent at the time when the second shot beneath the chin was discharged? Finally, you might wish to consider why police felt it was necessary to swap over the original badly fragmented bullet (PV/20) removed during autopsy by Venezis, on 7th August 1985, with a test fired bullet fired via the anshulz rifle by police after 7th August 1985, so that by the time the batch of crime scene ammunition, was sent to the lab' on 20th September 1985, how that original badly fragmented PV/20 bullet had become transformed into a whole bullet to enable the ballistic expert (Malcolm Fletcher) to conclude that it (the replaced bullet) had been fired via the anshulz rifle at the time Sheila was killed...
If Sheila killed herself, with use of the anshulz rifle having fired both bullets (PV/20 and PV/20) into her throat, why did police feel it was necessary to tamper with the original badly fragmented bullet, and why manufacture all the dodgy silencer, blood and paint evidence?
If your son was being prosecuted for the murders based on this type of evidence, would you sit back quietly and not question it?
Everybody, and I mean everybody, would be arguing and suggesting that police must have had something to do with the death, otherwise they would not be tampering with exhibits, and relying upon dodgy evidence...
Hope this helps...