Well, as we all know, pictures can be said to tell any story we want them to. A picture captures a millisecond in time. The only "past" it has is the one we choose to give it.
Yes, now apply your logic to the impression those photographs of Sheila's 'staged' death scene, with her in possession of the rifle, muzzle of barrel close to 'two bullet wounds' on her neck, her right hand fingers close to the trigger mechanism, and the prosecution claiming that 'this' was how the defendant had set the scene, to make 'it look like Sheila had shot herself twice' with that rifle, so 'that' cops would be 'tricked' into believing she 'had' committed 'suicide'!!!
In the 'split seconds' it took for the jury to 'glance' at all the crime scene photographs (25, 26, 27, 28, 29, 30, 31 and 32) which showed Sheila's body in possession of the gun, armed with the powerful suggestion that Sheila's death scene 'had' been staged by Jeremy, intent on getting his hands on his adoptive parents wealth, the jury would have 'no problem' at all believing that the position Sheila's body had been left in by Jeremy was designed to make cops believe that his sister had taken her own life. But as everyone now must know, Jeremy ' had no involvement in the position' or 'the location inside the farmhouse' pertaining to where cops photographed Sheila's body in possession of the rifle which everyone now knows was at an upstairs window, from 7.15am onward. It doesn't matter which upstairs window 'that rifle' was placed at, the fact is somebody who was still very much alive inside the farmhouse at 7.15am placed that gun there as a 'signal' to the cops outside that they wanted to give themselves up...
Cops faked Sheila's death scene with the rifle from the window, then took the photographs which the cops claimed represented how armed police came upon her body once they got into the farmhouse. The prosecution relied upon this very powerful 'faked' evidence to help to convict Jeremy for killing her, and the others, whilst also seeking to rely upon the dodgy evidence given by Julie Mugford that Jeremy had 'hired' a hitman to kill Sheila and the others...
The 'Jury, have been deceived by use of these 8 staged crime scene photographs of Sheila's ' death scene'. Cops staged her body using the rifle from the window, to try to make it look like she had shot herself twice with 'that' gun. But she had only been shot 'once' by use of that gun, and that was when cops brought the rifle from the window to her body which had been moved onto the bedroom floor from on top of the bed whilst cops performed 'informatives'. They intended to use the length of the rifle to 'gauge' whether or not they could get away with suggesting that the single gunshot wound to her neck at that stage could have been the gun which had fired that solitary shot. Things went wrong because nobody by that stage had checked to see whether the rifle still had any ammunition loaded into the breach of it. This resulted in the rifle that had been at the window from 7.15am, discharging a shot into Sheila's neck, upward and into her brain. Cops put the rifle back at the bedroom window after realising that she might have 'still been barely alive' prior to that 'second shot' being inflicted upstairs in the bedroom. They rolled her body onto its right side so that it could bleed out. They left her body in that position for about 40 minutes, then moved her body onto its back and brought the rifle back from the bedroom window, and placed it onto her body after PC Bird had unwittingly captured its presence leaning against the wall next to the bedroom window (photograph number 23, master copy album). PC Bird then took photographs of Sheila's body in possession of the rifle, with the words of DI Cook ringing in his ears, ' make sure you get the position of the gun right' on the body...
