The fact that 'the rifle' is photographed at 23, leaning against the main bedroom window, before 'it' was later removed and planted onto Sheila's body, and only then was 'it' photographed with Sheila's body, as per the photographs, 26, 27, 28, 29, 30, 31, 32 and 33, is more than a simple coincidence. The chief feature, as far as I can tell, is not really 'which' window Jeapes actually saw the rifle leaning against, but rather that 'the rifle in photograph No. 23, was without doubt or question, photographed, there at the ' main bedroom window, before 'it' was photographed, upon Sheila's body, in sequential order'...
That is ' a fact'...
The sequence with which those '9 key photographs' were taken, 'confirms' this to be an absolute truth...
I have already posted up the photographic records which support this matter, and nobody can alter the 'fact' that 'the rifle' was photographed resting near to the main bedroom window, 'before' somebody took 'it' from there and decided to position 'it' on Sheila's body and to photograph it there. This is the true explanation about 'movement of the gun' from the bedroom window onto the body. What this means, is that the sequence of 8 consecutive photographs, these being photograph numbers, 26, 27, 28, 29, 30, 31, 32 and 33, 'do not' show the true position of Sheila's body on the bedroom floor, with the rifle in her possession, as could have been found by firearms officers, as per their witness statement versions which set the positions of the bodies at the time of discovery as having been one body downstairs, the other four bodies being found upstairs, of which they claim Sheila's had been one of the four bodies found upstairs. Of course, by a reliance upon the police radio message log account, two bodies were found in the kitchen, and only three bodies found upstairs. By reliance on this account, Sheila's body had to have been the reference to a dead female, who had apparently committed suicide, downstairs in the kitchen, the same room where Ralph Bamber was murdered ('the body of one dead male, and the body of one dead female found upon entry to the kitchen'). With Sheila being reported as having been found dead downstairs in the kitchen, how then had the rifle at whichever upstairs window been used to shoot her downstairs in the kitchen?
How can she possibly have committed 'suicide' downstairs in the kitchen before 7.45am, with use of 'the rifle which from 7.15am, onward, had been resting against a window upstairs' in another part of the farmhouse?
That 'first' shot, bullet PV/20, was 'badly fragmented' and had broken into at least 15 pieces when part of it was Xrayed, and then recovered from her body during autopsy, performed by pathologist, Peter Venezis, on 7th August 1985. However, by the 20th September a 'different' bullet had been introduced, a bullet described by the ballistic expert, Malcolm Fletcher, as ' a whole bullet', which Fletcher was able to state 'had' been fired through the rifle at the time Sheila was shot across the neck. But, as far as I know, bullets don't grow whole again, once they have been shattered into at least 15 separate pieces. Therefore, I say, and it is the absolute truth, there is 'no need' for me to make anything up, there is clearly a huge suspicion that Essex police and its ballistics expert, and the pathologist, have all been involved 'in a joint enterprise' with a view to presenting 'a whole bullet', when the original PV/20 had been a badly fragmented one, and that this was done so that it could be argued that the very same rifle had fired both the shots (bullets PV/20 and PV/19) which wounded and killed Sheila Caffell - but it was all a lie...
This will probably be a loveless endeavour but I will try anyway.
In the above long-winded post you repeatedly state you have proof that the photo of the rifle used in the killings taken near the window was taken prior to the rifle ever being on Sheila's body. In order for this to be true it would require the rifle to have been near the window when the raid team entered, when the police brass entered and when the crime scene police entered. All three classes of police say the rifle was on her body.
The only proof you ultimately offer to try to disprove their claims is the log that records 2 bodies were found in the kitchen. You insist the log account must be true. The problem is that the log account doesn't have to be true it could be an error. According to the eyewitnesses the person keeping the log misunderstood and was in error. An assertion by a non-witness keeping a log is hearsay. Hearsay cannot disprove a claim of a witness let alone multiple witnesses. That hearsay doesn't even assert the second body in the kitchen was Sheila. You just say it was Sheila because that helps your allegations more than saying it was June.
You also say it is a fact the photo of the rifle near the window was taken prior to the photos of the rifle on Sheila's body. Just because you say it is a fact doesn't make it so. There are only 3 ways to prove it to be a fact. The actors taking the photos would have to state that they took the photo of the gun near the window before the photos of the gun on her body. But the photographer and crime scene police all say the photos of the rifle on her body were taken first.
The second way to prove it would be if the camera left time stamps on the photos but the camera in question did not.
The final way to prove it would be if the photos had been taken on the same roll of film and the negatives were all still attached so one could observe the sequence in which the photos on that particular roll were taken. The testimony is that they were taken on different film rolls and that the film roll with the gun near the window was taken last. The negatives tolls were not kept intact so there is no way to disprove their claims.
At the end of the day you simply level allegations you can't prove that the police lied about the order in which the photos were taken. It is not a particularly useful allegation because even if police had done the senseless act of taking photos of the hallway and entire scene before taking photos of the bodies this would not establish the gun had not originally been on Sheila's body when the raid team, police brass and crime scene police entered.
Police could have had removed the gun from her body, took photos of the house, then placed the gun back on her body to take the photos of her body in order to depict where it had been when the police initially found her. But this is not what police say happened. The actors all say the rifle never left her body until after they took the photos of it on her and there is no evidence available that proves otherwise.
This whole line of attack seems like a giant waste of time and energy that could better be devoted elsewhere if one wants to try to help Jeremy.