Author Topic: The rifle at the upstairs window Conundrum - The Bamber Alibi, revisted...  (Read 98148 times)

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Offline mike tesko

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Let's take the matter to the next level - if there was or had been a rifle resting against the main broom window, or indeed the box room window, how had 'this' impacted upon the contradiction of two bodies having been found downstairs by 7.37am?
« Last Edit: December 16, 2015, 12:39:PM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Let's take the matter to the next level - if there was or had been a rifle resting against the main broom window, or indeed the box room window, how had 'this' impacted upon the contradiction of two bodies having been found downstairs by 7.37am?

Well, it would serve to demonstrate that Sheila could not have shot herself, or been shot with use of the anshuzt rifle downstairs in the region of the main kitchen of the farmhouse. If she had been shot 'across the throat' whilst she was present in that kitchen, then obviously a different weapon must have been used to shoot her on that occasion. This is supported by the fact that police felt it necessary to swap over the original badly fragmented bullet (PV/20) which was broken into at least 15 different pieces, by introducing a 'whole' control bullet test fired in 'the rifle' long after the shooting of victims had occurred...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Police staged Sheila Caffells death scene on the bedroom floor by introducing the rifle to her body which they brought to her body after the police surgeon, Dr Craig, had already pronounced her dead with a solitary wound in her neck. Police brought the rifle from the window and placed it on her body. At the time this was done on the first occasion, Sheila only had a single shot to the neck. Once police brought the rifle from the window and placed it on her body as part of 'a gauging process' during a training exercise which they performed with the bodies of victims still in situ (familiars), Sheila received the second shot under the chin. The rifle was quickly removed and stood back at the window whilst police frantically tried to keep Sheila alive. When Cook, Bird, and the other SOCO's arrived at the scene at 9.20am, Bird photographed 'that rifle' back resting against the bedroom window in crime scene photograph No. 23. Then police removed 'that rifle' from the window where it had just been photographed (23), and positioned 'it' on Sheila's body in keeping with the instructions given to PC Bird by Detective Inspector Cook before PC Bird went into the farmhouse to start taking crime scene photographs, "make sure you get the position of the rifle correct on the body"...

Then PC Bird took crime scene photographs, 26, 27, 28, 29, 30, 31, 32 and 33 (all these photographs show 'that rifle' on Sheila Caffells body, after the same rifle had already been photographed resting against the bedroom window).It is important to remember Cooks instruction that he gave to PC Bird before Bird went back into the farmhouse to start taking his set of crime scene photographs, "make sure you get the position of the rifle correct on the body"...

Point being that if the rifle had been on the body already by the time PC Bird went back into the farmhouse to take photographs, he would not have needed to be told to "make sure you get the position of the rifle correct on the body", because no matter what photographs he took, if the rifle had been on the body already, any photographs he took of Sheila would automatically be photographed in the correct position. The fact that PC Bird took photograph 23 showing 'that rifle' resting against the Main bedroom window, in sequence, and prior to police moving it onto Sheila's body, in accordance with phototographs, 26, 27, 28, 29, 30, 31, 32 and 33, clearly demonstrates that the police, and no-one else staged Sheila Caffells death scene in the main bedroom, on the bedroom floor, and that it was the police who took the crime scene photographs, which they sought to rely upon to support the case for Sheila to have killed herself (Coroners court proceedings). There is clear unambiguous proof of evidence by a reliance upon the sequence with which photograph No.'s 23, 26, 27, 28, 29, 30, 31, 32 and 33 were taken by PC Bird, after 10 O'clock that morning that nobody but the police themselves could have and did stage Sheila Caffells death scene in the main bedroom. Whilst ever this was the case, and it was the case for a whole month afterwards, police treated Jeremy Bamber as a victim, and rightly so...
« Last Edit: December 17, 2015, 10:50:AM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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If the rifle seen by WPC Jeapes at the box room window, was the same rifle later photographed resting against the main bedroom window, and later still photographed on Sheila's body, somebody who was still alive inside the farmhouse was still alive after 7.15am...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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If the rifle seen by WPC Jeapes at the box room window, was the same rifle later photographed resting against the main bedroom window, and later still photographed on Sheila's body, somebody who was still alive inside the farmhouse was still alive after 7.15am...

That person, who was still alive could only have been Sheila Caffell, no-one else...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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And so, there we have it, the rifle that was seen at the 'box window' by WPC Jeapes at around 7.15am, was never downstairs and could not have fired any shot in connection with the 'dead body of a female', or ' a suicide', prior to 7.45am...

This is because it is now possible to track the journey of 'that rifle', from its position at the 'box room window' at around 7.15am, to the 'main bedroom window' (23), at just after 10am, and then 'onto her body' in time for PC Bird to photograph it there, as per photographs 26, 27, 28, 29, 30, 31, 32 and 33...
« Last Edit: December 18, 2015, 01:25:AM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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And so, there we have it, the rifle that was seen at the 'box window' by WPC Jeapes at around 7.15am, was never downstairs and could not have fired any shot in connection with the 'dead body of a female', or ' a suicide', prior to 7.45am...

This is because it is now possible to track the journey of 'that rifle', from its position at the 'box room window' at around 7.15am, to the 'main bedroom window' (23), at just after 10am, and then 'onto her body' in time for PC Bird to photograph it there, as per photographs 26, 27, 28, 29, 30, 31, 32 and 33...

This establishes that police staged Sheila Caffells death scene, and then took photographs of 'the rifle' on her body...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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It is a criminal offence to fabricate evidence, which can attract a number of charges preferred against a solitary perpetrator, or a group of different perpetrators, such as :-

(1) perverting the course of justice
(2) - forgery
(3) - conspiracy
(4) - interferring with a crime scene
(4) - keeping false police records
(5) - deception
« Last Edit: December 18, 2015, 03:20:PM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Was lying about who staged Sheila Caffells death scene, a criminal offence?
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Was lying about who staged Sheila Caffells death scene, a criminal offence?

In my view, yes it was...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Was a deception played out by the police who were responsible for making an accurate photographic record of the various crime scenes within the farmhouse, including the death scene upstairs in the main bedroom involving Sheila Caffells body?
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Was a deception played out by the police who were responsible for making an accurate photographic record of the various crime scenes within the farmhouse, including the death scene upstairs in the main bedroom involving Sheila Caffells body?

In my view, yes - there was a deliberate deception introduced during the trial, and since by the Scenes Of Crime Officers (SOCO's), regarding the order with which the rifle was photographed resting at the window (23) prior to 'it' being photographed on Sheila's body ( 26, 27, 28, 29, 30, 31, 32 and 33)...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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It is very telling, that not one single member of the firearm team which entered the farmhouse at the peak of activity, was shown these key photographs (23, 26, 27, 28, 29, 30, 31, 32 and 33), and asked if the photographed body of Sheila Caffell in possession of the rifle, was exactly as it had been found by them upon the first discovery of her body?
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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It is very telling, that not one single member of the firearm team which entered the farmhouse at the peak of activity, was shown these key photographs (23, 26, 27, 28, 29, 30, 31, 32 and 33), and asked if the photographed body of Sheila Caffell in possession of the rifle, was exactly as it had been found by them upon the first discovery of her body?

If asked, the only true answer they can give is "no"...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Now that we all must know, that it was the police who had brought 'the rifle' from one window or another to Sheila's body, after which PC Bird photographed the 'rifle' on her body, it must be absolutely clear to all and sundry, that the jury were deliberately deceived by this part of the prosecutions case. These images which show the rifle on Sheila's body were in effect, ' props', nothing more, nothing less...
"Oh, what a tangled web we weave, when we first practice to deceive"...