Mystery of the presence of human blood both ends of the silencer, 13th August...

[mike tesko]

This photograph (No. 23 Court Album - Photograph No. 59 Master Copy Album)...

[mike tesko]

Was taken before this photograph (No. 32 Court Album - Photograph 72 Master Copy Album):-

[mike tesko]

DI 'Ron' Cook, and PC 'David' Bird, both deliberately lied whilst testifying about the circumstances in which, and when, photograph No. 23 (Court Album) was taken - both placed the timing of photograph N0. 23 as being after the other photo's which showed the gun on the body, Photograph No. 32 Court Album. But we now know that the gun was resting against the main bedroom window, 'BEFORE' somebody brought it from the bedroom window (after photograph No. 23 had already been taken), and 'it' was positioned on Sheila Caffells body, and photographic records falsified so that police could argue that photographs showing the gun on the body, had been taken before the photograph (No. 23) was taken...

The sequence with which the gun moved from the bedroom window, onto the body, leaves no doubt about who stage managed Sheila Caffells body, to make it look like she had taken her own life with use of 'that' gun. We now know it was the police who staged the scene, and who have since blamed Jeremy for having done so, in his attempt to make police go with a four murder / suicide investigation. This can now be exposed as nothing but a red herrin', Jeremy Bamber had got absolutely nothing whatsoever to do with bringing the gun from the bedroom window, to his sisters body...

He is truly innocent...

[mike tesko]

This photograph (No. 23 Court Album) is damning proof that Jeremy Bamber was framed by Essex police for the murders of his family:-

[mike tesko]

With 'this' gun at the bedroom window, before it was later photographed on Sheila's body, how did her hands end up around and upon the gun itself?

Upon arrival at the scene by Ron Cook (SOCO) at 9.20am, He was given a very unusual account by senior officers upon arriving there:-

[mike tesko]

"Seige, and persons shot dead"...

"A person, or persons shot dead"...

"A person had committed suicide"

[mike tesko]

Proof that a third photographic album existed, that was referred to as 'THE SENIOR INVESTIGATING OFFICERS ALBUM', can be found in this police document:-

[mike tesko]

The truth of the matter insofar as the 'THE SENIOR INVESTIGATING OFFICERS ALBUM' is concerned was that at least 581 photographs were taken, or produced in sequential order, from 1 to 581. Then along came PC Bird who was instructed to edit out a total of 358 photographs by the creation of 'THE MASTER COPY ALBUM' which only consisted of 223 photographs. These were in sequential order, from 1 to 223. PC Bird was then instructed to produce another album of photographs for use at court, entitled, 'THE COURT ALBUM' which consisted of 50 photographs. These were in sequential order, from 1 to 50...

The main purpose of PC Birds role appears to have been to create and produce a false photographic record to hide at least 358 photographs from the gaze of defence solicitors, the court administration, the jury, and the public in general. Each one of these 358+ photographs capable of exposing what Essex based police officers had done once they entered the farmhouse right up to the point where the rifle was brought from its place at the main bedroom window and positioned on top of Sheila Caffells body, her hands arranged around and upon the rifle and then photographed. These deliberately staged photographs were used to support the claim that Sheila's body had been found exactly as shown with the rifle on her body, unmoved, untouched, until Ron Cook (SOCO) moved her hand so that PC Bird could photograph a bloodied hand mark on her nightdress, and according to Ron Cook, only then was the rifle moved from the body and placed at the bedroom window (as seen in photograph No. 23, Court Album)...

We have Ron Cooks trial testimony (October, 1986), we have his witness statements, we have the COLP hand written notes of his interview, together with PC David Birds trial transcript (October, 1986), we have his witness statements, we have the COLP hand written notes of his interview. We also have the photographic schedule, the damning photographs, No. 23, and No. 32 to establish, that key SOCO who dealt with this matter deliberately falsified the sequence of events relating to the position of the rifle, and the position of Sheila Caffells body as found upon entry into the farmhouse, could not possibly have been positioned by the time Sheila's body  was laid on the bedroom floor next to the bed with the rifle brought from the bedroom window, and her arms arranged upon and around the gun, so as to suggest that she had taken her own life...

Linked to this dishonesty, is the fact that a female body had been reported to have been seen in the kitchen through a window before firearm officers went into the farmhouse, and separately that a female body was reported as having been found once firearm officers entered the kitchen. Furthermore, only three further bodies found upstairs by 8.10am. Linked to this is the secret of bullet PV/20, which was removed from Sheila Caffells neck during autopsy on 7th August 1985, it being a badly fragmented bullet on that occasion, but by the 20th September 1985, it had grown into a whole bullet to enable Home Office ballistic expert, Malcolm Fletcher, to conclude that the whole bullet known as exhibit PV/20 had been fired through the rifle photographed leaning against the bedroom window...

The position of the rifle against the bedroom window, has far reaching consequences...

[mike tesko]

A female body seen through a kitchen window before firearm officers entered the farmhouse, a female body found upon entry once firearm officers got into the kitchen, a badly fragmented bullet (PV/20) that grew into a whole bullet that was subsequently ballistically associated as having been fired via the rifle at the bedroom window, Sheila's body somewhere in the bedroom without a gun upon it at the time photograph No. 23 (Court Album) was being taken, police knowing about two bodies found upon entry, a man and a woman, a murder, and a suicide, does not fit well with the claim made by police that Sheila Caffells body was found on the floor of the main bedroom alongside the edge of the bed with 'the' rifle on her body, a rifle being gripped in her hands, she having been shot twice in the throat by use of 'that' rifle...

[mike tesko]

Let me put as starkly as I can, set with the alleged murder weapon resting against the main bedroom window as proved by reference to photograph No. 23 ( Court Album), and lets say for arguments sake, that at the exact moment that 'the' rifle is resting against the background of the bedroom window, lets say her body was laid out on the bedroom floor, on the floor alongside the edge of her parents bed. Let's say that by this stàge she had two bullet wounds to her throat. Ok, the gun they claim fired both shots resting at the window, the body of the victim dead on the bedroom floor several feet away. Now, everyone must surely be in agreement that if this was the picture at the time PC Bird took photograph No. 23 of the rifle at the window, then of course, Jeremy Bamber, could not have taken 'the' rifle from the window, and positioned it onto his sisters body, to try to fool anyone that she had taken her own life. He could not have possibly done that in these circumstances. How did he get into the farmhouse in between PC Bird taking photograph No. 23 ( Court Album) to enable him to grab the rifle from the window, and dash across the bedroom, position 'that' rifle on his sisters body, arrange her hands upon and around the gun to make it look like she had been in control of the murder weapon, before a shot or a couple of shots were fired into her own throat?  How had he managed to get in and out of the farmhouse at any time after 10am that morning, and arrange the muzzle of 'the' rifle from the window so that 'it' rested in the region of her chin? The simple truth, of course, is that 'he had not, he did not, and he could not'. Anyone who would suggest 'he had, that he did, or that he could have', do not know what they are talking about. It was not Jeremy Bamber who introduced 'the suicide scenario' into the minds of the police, it was the police themselves who introduced 'the idea' that Sheila Caffell had killed herself. This is well documented in the police records by reference to the fact that by 7.45am, an employee of the police, named, 'Linda' contacted DS Dàvidson (SOCO) at his home requesting him to ' come into the office, because police were dealing with an incident at whf, involving a murder, and a suicide'. Where is there any evidence anywhere at all in the police investigation that Jeremy had mentioned that his sister might kill herself, or had killed herself, before 7.45am?

[mike tesko]

With 'the' rifle at the bedroom window (as per the timing of photograph No. 23), how was it possible to know prior to the taking of 'that' photograph, that in relation to the first two bodies that armed police were confronted by after getting inside the farmhouse, was a man, and a woman, one of these two bodies had been murdered, the other had taken her own life, her death having been described as 'a suicide'. Ralph Bambers body could not possibly be described as being a suicide, so that leaves the second body to have been confronted by the police to be one of the two women victims as being the suicide...

So, that leaves a stark choice, between June Bamber and Sheila Caffell, as being the suicide case. Well, hang on a minute, I beg your pardon, but June Bamber had been shot a total of 7 times, hardly likely then that any reference to her death being mistakenly reported as a suicide, might remotely have been true. That leaves Sheila Caffell, hers has got to have been the body of a woman who was reported to have committed suicide prior to 7.45am, when 'Linda' contacted DS Davidson (SOCO) at his home to request him to come into the office, ' because police are dealing with an incident at white house farm, involving a murder, and a suicide'. At around the same general time as this, the police surgeon, and Coroners officer, were being contacted, about two bodies at the scene for them to deal with by 'that' stage...

[mike tesko]

It doesn't add up, or make any sense, unless between the content of the police radio message logs, the tooing and throwing of messages being bounced back and forward between the scene and the control room, and the recordings of the eavesdrop when armed police first set foot inside the kitchen of the farmhouse, and where all the bodies of victims ended up by the time PC Bird got around to photographing them, for example, two different scenarios, one scenario at the beginning of the operation involving the first entry into every room inside the farmhouse, and a different scenario, toward the back end of the firearm operation, once SOCO took control of the crime scene from 10 O'clock onward, where the first scenario included the firearm officers being confronted by two bodies downstairs, a further three BODIES UPSTAIRS, where the two bodies downstairs included for the fact that one of the two bodies downstairs had been a murder, the other female body a suicide. Whereas, by the time SOCO took control after 10 O'clock, the body count downstairs and upstairs had altered, with only one body being downstairs in the kitchen, that being the body of Ralph Bamber. By that stage, there were now four BODIES UPSTAIRS, not three. The position at which Sheila Caffells body was found in either scenario being of extreme importance, since at the time of the first scenario, hers was the second body to be confronted, and referred to as the suicide. Whereas, in the second scenario (one body downstairs, a further four BODIES upstairs), Sheila's body was the 'third body', to be confronted by armed police. At the heart of the transition of a scenario of 2 BODIES downstairs / 3 BODIES UPSTAIRS, turned into a transformed scenario, of 1 BODY downstairs, a further 4 BODIES UPSTAIRS, is the fact that 'the' rifle was photographed at the bedroom window, before any photographs could have been taken with 'it' on Sheila's body upstairs on the bedroom floor - now that has got to be taken seriously by everyone...

[mike tesko]

Prosecution experts, 'ummed and ared', about the position Sheila's body must have been in at the time both shots were discharged into her throat. Was she stood up? Was she sat down? Was she sat on the edge of the bed? Was she sat on the floor? Was she lent backwards? Was she turned partially on one side?

None of these positions in the main bedroom I am afraid...

She was actually laid down on the floor when somebody brought the rifle from the window where it had been since before the firearm officers set off to enter the farmhouse. "It" was brought to her body by a policeman. Positioned on her body with a view of gauging its length against the ability of Sheila to have been capable of activating the trigger mechanism with the muzzle of the rifles barrel in the general region of her neck where their appeared to be a single bullet wound. As the fingers of her right hand were being moved and adjusted upon and around the trigger mechanism, the weapon discharged a live round still loaded in the gun and entered beneath her chin and becoming deposited in her brain. The rifle was quickly put back into its place at the bedroom window, whilst Sheila's body was rolled into the recovery position on its right side, and the fingers of a policeman pressed hard against the fresh bullet wound in her throat. Until then, police had thought she had already been dead, it was not until the rifle discharged the last round up through her neck that the police realized she had just been unconscious...

PC Bird took photograph No. 23 after the rifle had been put back into its original position next to the bedroom window...

[mike tesko]

Sheila was killed at 9.13am by 'that' second bullet. Just before PC Bird went back into the farmhouse after being shown around by Cook himself, Cook had told him, " don't forget to get the position of the gun on the body correct'...

The rifle was not on the body at 'this' time...

[mike tesko]

One thing that we know must have happened before 'the' rifle was collected by PC Bird from the bedroom window so that he could position it on Sheila's body 'correctly' according to what Ron Cook had told him. PC Bird must have seen the bloodied finger marks on the front lower part of her nightdress, and the bloodied finger marks around the fatal bullet entry wound, where an officer had pressed two fingers to try and stem the flow of blood after she was shot, and rolled back over onto her back. There is every reason to suspect that at least one or two of the missing 8 negatives which have been withheld under Pii, show views of Sheila's body in the recovery position prior to 'the' RIFLE  that was subsequently brought from the bedroom window and replace by the police onto Sheila's body...