Not all of it was completely dry Bridget. Only the surface blood,perhaps,,which,if thin enough,will dry.
No, it's dry to the extent that it's cracking up and flaking.
Yes Bridget, but the blood would only have flowed out of the sides of Sheila's mouth when her head was moved and tilted for some reason. If she was left lying still in that position after the initial movement when she was shot, the blood would run down her throat. Lying flat on the floor with her head back would open her airway enough for the blood to escape down her thoat as it finds gravity. So only the initial blood would be on her face. This would have formed a dry coating quite quickly. imo
I agree that the blood on her cheek got there when she was shot for the second time, and spilled as a result of what was probably her last movement. You can see from the photo how much spilt, it is what I would describe as a fairly thick rivulet and would have taken some time to dry IMO. My OH is always cutting himself, next time it happens I'll make him leave it and time it

Now, you can throw all sorts of thoeries into the equation about which photo' has fresh blood and which doesn't and try to use what your saying to try to undermine what took place, but I have two questions to put to you, or at least two requests that hopefully will shut you up and stop you being so obstructive..
Firstly, please tell me the photograph number of the following close up image?

And before you say anything to the contrary, it is not simply an enlargement from one of the other photographs, but a photograph that was taken at the scene by PC bird, zoomed in...
So, please tell me which photograph number it has, and which negative strip this image was taken upon?
It is a blow up from the same negative as photo 27 which has been enhanced by the newspaper / media.
Next request...
Please demonstrate to me, how anyone can alter the dark dried looking blood on Sheila's face and neck, and make it look like it is wet ,looking blood, without dramatically altering the tone/contrast of the skin colour, and the colour of her nightdress and surrounding area in the same photograph? Just do it and post the results to me, for me to look at - you will not be able to do this without me being able to spot what has been done (I can assure you)...
Here, start with this one:-
The tone / contrast of the skin colour and nightdress
has been dramatically altered when compared to your photos of photos. The difference will probably be less when compared to a print taken directly from the negative.
Can you take the wet looking blood in this image (above) and change it so that it looks dark, dried and coagulated without effecting the tone/contrast of the skin etc..
Thanks in anticipation, I look forward to seeing your experiment results with great interest?
Probably, given a few hours with Photoshop, but I don't need to because the tone / contrast of the skin has clearly altered dramatically when they produced the 'red' photo, so clearly they weren't so careful.
Please tell me in what order of the true sequence of events or chronological order, that photo' 28 was taken? You also forget to mention that in photo' 28 the barrel of the rifle is against Sheila's neck, whereas, in 32 it is not? Do you think 28 was taken before 32, or vice versa?
The barrel of the gun isn't against her neck in any of the photos, it's physically impossible for it to have been. Photo 28 is a blow up of photo 27, which according to Bird was taken after photo 33, and before photo 32.
And where in the grand scheme of things was the photographs of Sheila on the bed, with no rifle on her body, and no blood running, or pouring, and leaking from the corners of her mouth, taken? Was this after photo' 23 was taken, or before?
In my grand scheme of things there are no photos of Sheila on the bed, unless they were taken just prior to her removal, which would be after 23 was taken.