Author Topic: Peter Eatons fingerprints found on bloodstained ammunition box found in cupboard  (Read 7320 times)

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Offline mike tesko

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When police fingerprinted a box of ammunition with a spot of blood upon it which was recovered from the gun cupboard at whf by David Boutflour on the 10th August 1985, they found three different sets of fingerprints on it. One set was identified as belonging to Peter Eaton, the others as yet unidentified...
« Last Edit: April 01, 2015, 11:08:PM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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« Last Edit: March 29, 2015, 09:58:PM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline scipio_usmc

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Peter Eaton picked up the box multiple times including to hand to police so his prints being found on it is not a surprise.
Politeness is organized indifference- Paul Valéry

Offline mike tesko

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Peter Eaton picked up the box multiple times including to hand to police so his prints being found on it is not a surprise.

Peter Eaton did not  handle the box of ammunition at all once David Boutflour recovered it from the scene on the 10th August 1985. There is no reference anywhere to that in any of his witness statements, testimony or interviews by CILP, so I don't know where you have got that idea from. Now the presence of this bloodstained ammunition box in the relatives possession between the 10th August and the 11th September 1985 is very wording indeed, because it demonstrates in the clearest possible terms that blood from the crime scene was transported away from the scene by the relatives and kept by them for a whole month before Ann Eaton hand it over to DC Oakley on the 11th September 1985. This was in addition to the relatives removing from the scene on the 10th August 1985, a sound moderator also contaminated with blood, later attributed as belonging exclusively to Sheila Caffell, took it away and kept by themselves for a whole month until Annie Eaton also handed it over to DC Oakley on the 11th September 1985. As if all of this isn't bad enough, please hang fire because I have even more alarming revelations to make, because relatives also had possession for a whole month between 10th August and the 11th September 1985, a solitary round of Eley .22LR subsonic hollow point ammunition with a spot of blood upon it, (part of lab' item no. 93, exhibit DRH/22), which again Annie Eaton handed over to DC Oakley on the 11th September 1985...

Relatives whisked three separate evidential exhibits away from the scene on the 10th August 1985, all of which were bloodstained in respect or another, (1) sound moderator, DRB/1, (2) box of ammunition DRB/2, and (3) a solitary round of .22 Eley subsonic hollow point ammunition (which eventually became part of DRH/22, lab' item no. 93)...

I am still not yet done, because on the 12th September 1985, David Boutflour met police at the scene (whf) and from within the very same gun cupboard in the downstairs office, he removed the metal ring that normally fitted onto the screw thread end of the anshuzt rifle barrel, and he gave it to the police. Now technically speaking this threaded metal ring was the end part of the anshuzt rifles barrel, and arguably just as significant as any sound moderator later introduced to help to convict Jeremy Bamber of the murders. This is because it was a component part of the rifle which police and their experts say belonged to the only weapon used in the shootings - yet, despite David Boutflour handing the end of the anshuzt rifle. Barrel over to police at the scene on the 12th September 1985, police try to conceal its existence or recovery because its very existence has the potential to seriously undermine the evidence of all these different moderators that were merged together as the same one, bearing at least four different exhibit references. SJ/1, SBJ/1, DB/1, CAE or AE/1, and DRB/1...

We are now very close to understanding exactly how corrupted police officers and dishonest relatives worked together to fabricate the key evidence used in the prosecution of Jeremy Bamber for these murders...

In addition to these matters, let us also not forget that Annie Eaton also removed from the scene on the 10th August 1985, a pair of heavily bloodstained knickers belonging to the victim Sheila Caffell. Annie took them away from the scene in the boot of her car, along with the moderator (DRB/1), the bloodstained box of ammunition, and the solitary round of Eley .22 ammunition with a spit of blood upon it...

All of this collectively, is too serious to ignore...

"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Let us also not forget, that recorded in Annie Eaton's own hand written notes, that she records the fact that on the evening of 9th August 1985, that her husband Peter had returned to whf and put 'THE GUN', back. Yet to be pondered is what is meant by the term she uses 'THE GUN'? Was she referring to the moderator, or the metal ring, which are both component parts of the anshuzt rifle, or to Anthony Pargeters rifle and moderator?
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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How did the solitary round of ammunition which Annie Eaton handed over to DC Oakley on the 11th September 1985, manage to end up as part of exhibit DRH/22 (lab item number 93) recovered from the scene by DC Hammersley, on the 7th August 1985? Now, for those of you who do not know what exhibit DRH/22 was / is, I shall take the liberty of reminding you all that exhibit DRH/22 was the box of 29 rounds tipped out onto the kitchen worktop close to were the telephone hanset was resting off its cradle. What I want an answer to, is how did the relatives end up in possession of the 30th bullet photographed alone and shown to be standing upright in its ammunition box on the worktop in PC Birds crime scene photographs taken at the scene on the 7th August 1985? How did that solitary round end up in the gun cupboard in time for David Biutflour to discover it there by 10th August 1985, in order for the relatives to retain possession of it for a whole month, before Annie Eaton hands it over to DCOakley on the 11th September 1985, which in turn then becomes incorporated as part of exhibit DRH/22 which police took from the scene on the morning of the shootings?

Clearly, something seriously wrong with the way police and relatives have dovetailed these crucial key exhibits together...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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The jury had a basic right to know, that for a whole month, relatives had possession of bloodstained exhibits, which the police later incorporated into their investigation retrospectively, by tampering with exhibit references, and lab' item numbers, in an effort to produce some form of continuity. It is not acceptable to rely on any evidence involved in these practices, since relatives who are ultimately responsible for these introducing the sound moderator (DRB/1) evidence, had it, and other bloodstained exhibits together with at least one source of blood from the scene (knickers) for a whole month before these key exhibits were handed over to police by Annie Eaton on the 11th September 1985...

Based on this information, the sound moderator evidence introduced by relatives should not have been relied upon in the prosecution f Jeremy Banner, because of the risk that it was deliberately contaminated with blood, and used to make scratch marks on the aga surround in the kitchen, on some other occasion after the keys to whf were handed over to the relatives on the evening of the 9th August 1985...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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I am left in no doubt whatsoever, that either police, relatives, or both, deliberately scratched the aga surround in the kitchen at the scene, whilst relatives had possession of the sound moderator.I believe I can prove that Steps were taken to keep crucial photographic evidence showing views of the unscratched aga surround from the jury during the trial, because to disclose such photographs would seriously undermine the presence of red paint in the knurl of the moderator, thus exposing the police case as a dishonest prosecution. I will post evidence of this later today - I know the number of the photographic negatives that show the unscratched aga, photographs which were deliberately not part of any photographs disclosed for use during the trial...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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The COLP investigators discovered as part of their investigation into a series of complaints made by Jeremy Bamber, that a key photograph taken of the kitchen fireplace and aga surround (photograph 22 of the MASTER COPY ALBUM) was deliberately kept from viewing by the defence solicitors, legal team, the court and the jury which tried the case. Photograph 22 showed a clear view of the corresponding part of the red painted aga surround with absolutely no scratch marks there at all. ACC Simpson and other senior officers knew the significance of photograph 22, because it had been taken at the scene on the 7th August 1985 by PC David Bird, and the scratch marks which later appeared their in another photograph taken on the 12th September was absent in the earlier (22) photograph. Of course, particles of red paint which were found ingrained into the kurl of sound moderator DRB/1 handed to police by Annie Eaton on the 11th September 1985, now having new significance, because it was apparent to everyone including ACC Simpson, that the scratch marks on the aga surround and the particles of red paint from the aga surround ingrained into the knurl of the moderator (DRB/1) handed to police by Annie was fabricated / dishonest evidence...
« Last Edit: March 30, 2015, 08:19:AM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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PHOTOGRAPH 22 of THE MASTER COPY ALBUM, deliberately withheld to fool the jury into accepting the sound moderator, paint and blood contaminated evidence to justify convicting Bamber as the killer...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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Currently visiting a prison officer in Full Sutton who I know from my time in custody there between 1989 and 1990, and through being an home office approved prison visitor, Mckensie man. Jeremy is apparently doing fine...
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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It is very disturbing that the relatives had possession of all these blood contaminated evidential items, such as, the moderator, the ammunition box, and the round of .22 ammunution, all with blood found upon them, whilst they had all been removed frim the scene at the same time as a pair of Sheila's heavily soiled knickers covered in menstrual blood.  How did Essex police expect to get away with accepting any of this evidence which had been exposed to the risk of being contaminated prior to relatives handing it over to the police
...
« Last Edit: March 30, 2015, 01:40:PM by mike tesko »
"Oh, what a tangled web we weave, when we first practice to deceive"...

Offline mike tesko

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The live .22 round with a spot of blood upon it (93) did not have an exhibit re
"Oh, what a tangled web we weave, when we first practice to deceive"...