'Conclusive', evidence has 'very recently come to the fore' to the effect 'which' / 'that', suggests, very strongly 'that,' 'the relatives' had 'a direct involvement' in suppressing the 'actual truth', regarding that which had taken place - this was because a'Metropolitan police officer' ['PC Robert Carr'] was spoon feeding them with confidential information regarding what Essex police were claiming that its firearm team were met with, 'prior to' , and 'during entry into the farmhouse'. It was 'PC Robert Carr' who 'infact' attended the 'whf' crime scene, on the 8th August 1985, and 'he took possession of two items of evidential value [`RC/1' and 'RC/2'] understood to have been 'a paint sample' ['RC/1'] that was 'taken from a bedside cabinet' in 'the main bedroom' along with 'a. 22 rifle' [beleived to be 'a'. 22 BSA air rifle]. THIS PAINT SAMPLE ['RC/1'] was not the same paint sample taken by 'DI Cook' ['RWC/1'] at 'the scene' in the company of 'PI Miller', 'DS Jones' and 'Ann Eaton' on '13th August 1985'] when 'DI Cook' allegedly took 'another paint sample' from 'underneath the red painted kitchen aga mantlepiece shelf'. The reason for this occurring 'was' / 'is' because paint that was embedded on the end of the '. 22 BSA air rifle' included 'a mixture of two sources" [bedside cabinet' and 'the kitchen aga'] - supported by 'a crime scene photograph' taken in 'the main bedroom' showing 'the body' of 'Sheila Caffell' insitu 'on the bedroom floor' next to 'the bedsiside cabinet' revealing 'a very distinctive scratch mark', which 'is repeated on the underside of the mantlepiece shelf', downstairs 'in the kitchen' [`bedside cabinet photograph' showing 'distinctive scratchmark' was taken at the scene on '7th August 1985', whilst distinctive scratchmark' on 'the underside of kitchen shelf' `wasn't taken at the scene` until `14'th September 1985']...